Correction to "Sherbet Stripes Hat"

There is a mistake in the published pattern for the "Sherbet Stripes Hat" in Tunisian Crochet for Baby, which could result in your hat being too large. The correct instructions are below. I apologize for the error.  

CORRECTION to initial chain count: For size Newborn, chain 60. For size Baby, chain 70. Stitch counts will be 60 (70) up to crown shaping.

Here are the stitch counts for Newborn crown shaping: Row 1: 50 lps on hook (there will be no extra sts after pattern repeat) Row 2: 50 Row 3: 40 lps on hook (there will be no extra sts after pattern repeat) Row 4: 40 Row 5: 30 (there will be no extra sts after pattern repeat) Row 6: 30 Row 7: 20 lps on hook (there will be no extra sts after pattern repeat) Row 8: 20 Row 9: 11 lps on hook (Tks in final st) Row 10: 11 Row 11: 6 lps on hook (there will be no extra sts after pattern repeat. Fasten off, leaving long tail.

Here are the stitch counts for Baby crown shaping: Row 1: 59 lps (Tks in each of final 4 sts) Row 2: 59 Row 3: 48 lps (Tks in each of final 4 sts) Row 4: 48 Row 5: 36 lps on hook (there will be no extra sts after pattern repeat) Row 6: 36 Row 7: 24 lps (there will be no extra sts after pattern repeat) Row 8: 24 Row 9: 13 lps (Tks in final st) Row 10: 13 Row 11: 7 (there will be no extra sts after pattern repeat) Row 12: 7. Fasten off, leaving long tail.

"Yarnboa Delawarensis" Has Slithered Into Place

TWO UPCOMING EVENTS: ***Saturday, December 13, 2014, 11 a.m.-2 p.m., Chester County Book Company--one of the few remaining independent book-sellers still around, and an excellent one at that. I'll be signing copies of Tunisian Crochet for Baby as part of a multi-author event. My bag is packed with samples to show you, but the signing is BYOB (Bring Your Own Baby). More information here.***

ccbc

 

 

 

 

 

 

 

 

 

 

***Sunday, December 14, 2014, 1-3 p.m., at the Delaware Museum of Natural History, informal meet-and-greet. I'll answer all of your questions about the yarn installation and will teach finger crocheting to anyone who is interested. Hope to see you there! Find information about the Museum, including hours, admission fees, and directions, here.***

I now return you to your regularly scheduled blog post...

The past month has whizzed by with so many exciting things happening that I can hardly believe it. At the top of that list is the yarn installation at the Delaware Museum of Natural History in Wilmington, my first fiber art exhibit. Indoors--with the help of some volunteers who crocheted snake segments for me, and Museum staff who hung it--is Yarnboa delawarensis, a 40-foot yarn snake. Approximately 9,000 yards of yarn, including a box donated by Plymouth Yarn Company, went into the critter. That's five miles of yarn. Yarnboa is stuffed with recycled plastic bags and newspapers. When it is taken down on January 26, the segments will be reconfigured into blankets, which will be donated to the Friends Association for Care & Protection of Children in West Chester, PA.

Here are some photos of Yarnboa from the first segment, through partial construction at my home, to its move to the Museum, to its hanging place.

001 (3)

Finished snake segment

Just hanging around

Yarnboa awaiting installation

Looking from the back end

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

But wait, there's more! I wanted to do a real yarnbomb, not just a finished object. There were some wonderful opportunities outdoors with the Museum's statues and signage. Multi-colored motifs blanket the tortoise to create "Shell Game." 'The grizzly bear sports a web of snowflakes to turn him into "Polar Bear." A young fawn sports a Tunisian crochet coat in "Flawnt." Thanks to a wonderful suggestion from Helen in the Museum's exhibits department, I also made leg-warmers for a couple of the signs.

016

019

021

 

 

 

 

 

 

 

 

 

Polar Bear

Shell Game

 

Flawnt

 

 

 

 

 

 

 

 

Things went remarkably smoothly during the two days of installation. Helen and I got started on Monday, December 1, aided hugely by unseasonably warm temperatures and dry weather. I didn't even need my coat or gloves. Helen was indispensible; I learned how important it is to have a teammate to make suggestions and to provide an extra pair of hands. I had crocheted some of the bear's snowflakes together into panels at home, but there was still quite a bit of work needed to attach the front to the back and fill in blank areas. As for Yarnboa, I had sewed and stuffed about eight separate sections; in the afternoon of Day One we joined those together and got the snake ready to hang in place.

001 (2)

003

004 (2)

 

 

 

 

 

 

 

 

 

 

 

 

Day 2 was all about hanging the snake. Chris got the lift ready, and up Helen went! It was not an easy task to knot monofilament line and feed it through the ductwork, but Helen had tremendous stamina for the job. I wasn't much help: my role was pretty much to stand around and say, "That looks great!"

 

Careful, Chris, something is hissing

 

Maybe we should hang it there

Up goes Helen in the lift

 

 

 

 

 

 

 

 

 

We started before the Museum opened and were finished mid-morning. It was gratifying to see and hear the reactions from visitors. One mom used the segments to ask her child about colors. A grandmother and her grandson were fascinated with the lift itself. A group of students couldn't stop smiling and pointing. We also got some nice press coverage in a Chadds Ford Live article by Kathleen Brady Shea. You can read it here.

I am very grateful to the Halsey Spruance, Executive Director at the Delaware Museum of Natural History, for his enthusiasm and his permission to do this installation. When I asked him whether I could do a yarn-bombing, he suggested "Yarnboa" to go with the Museum's "Titanoboa: Monster Snake!" exhibit. I also owe a huge thank-you to the Museum staff, especially Helen Bilinski, Chris Hayes, and Daniel McCunney, and to the volunteers all over the country who sent in snake segments. I would love to do more of these fiber art exhibits, and I couldn't have gotten this experience without all of them.

The exhibit runs until January 26th, 2015.

A lot more has been going on in my work life, including the imminent release of Tunisian Shawls Leisure Arts, another book I submitted to them that will be out mid-year, and a compilation/update of my first two crochet titles into Basic Crocheting Plus Projects from Stackpole Books, scheduled for release sometime in 2015. More details in the next blog post, which I will try to do in the near future.

Meanwhile, I hope all of you had a wonderful Thanksgiving and are enjoying December so far. Decorate, bake, visit...and get some crocheting in, too!

 

Craftsy Class Review, Mastering Foundation Crochet Stitches

I had the opportunity to take Marty Miller's Craftsy Course, "Mastering Foundation Crochet Stitches," and I'd like to share my experience with you. The class has seven lessons (Extended vs. Foundation; Basic Foundation Stitches; Using Foundation Stitches; Eyelets; Foundation Stitches in Pattern; Foundations in Filet, Mesh, and More; Tunisian, Colorwork & Beyond). I learned a lot and will use the new techniques in my future projects. Marty is an experienced, organized instructor who explains things very clearly. For anyone unfamiliar with the term, foundation stitches are what you do to start your crochet work, typically on the first row. Most of us make a long chain and then work stitches back into the chain. Sometimes we go through the top chain loop, sometimes the back bump, sometimes both, but we still use the chain in some way.

There are other--better--ways to start a project. What are the advantages of using foundation stitches instead of a long chain? For one, you don't have to worry that you mis-counted your chain and will have too few when you get to the end of Row 1. (No big deal if we're talking 10 or 20 stitches, but some patterns have several hundred chains and it is easy to mess up). When doing foundation stitches, do as many as you need. You still have to count them, but just add more until you have the right amount. Another advantage is the stretchiness of the fabric. My foundation chain is always tighter than the rest of my stitches. I've tried going up a hook size for the chain, but usually I forget to switch back to the smaller hook. If the foundation chain is too tight, the piece gets wider as the rows go up. Not good. A third plus is that the bottom of the piece looks exactly the same as the top, with all the V's lined up. You can also use foundation stitches for handles, like on a basket or bag, and for buttonholes, and to add stitches at the end of a row. It is also Marty's preferred technique when starting a project with novelty yarn. You can feel where to place the stitches, and in a chain you'd never figure out where they go.

The way to make a foundation stitch is basically to create a chain as part of the stitch you're working on, and use that as the entry point for the next stitch. Rather than start with that, Marty takes us through extended stitches first. An extended stitch has an extra chain inserted in it to make it taller. For example, to make a regular double crochet the instructions are yo, insert hook where indicated, yo, pull up lp, [yo, pull through 2 lps] twice. For an extended double crochet, it's yo, insert hook where indicated, yo, pull up lp, ch 1, [yo, pull through 2 lps] twice. By practicing with extended stitches we begin to see where that extra chain is. That's the chain we'll use when we move on to foundation stitches.

I was familiar with extended stitches but haven't used them much. Marty presents some good reasons to do so. One, if your stitch gauge is accurate but your row gauge is too short, you can fix that by using extended stitches. A more compelling reason is because the work goes faster! Look at the swatches below. (They are unblocked so you can tell nothing is fudged.) The one on the left uses double crochet stitches; the one on the right uses extended double crochets. The same number of rows, but look how much taller the second swatch is. A time-saver for sure!

Regular and extended stitches

 

Next we moved on to foundation stitches. Here again, I was familiar with them but hadn't used them much. I think I was only going through one loop of the stitch, which made my stitches messy. Watching Marty I could see that I should go through both loops. Marty's advice to look for the chains on the extended stitches was right on, as it was much easier to find where to put things on the actual foundation swatch.

(By the way, I highly recommend a pointy hook when doing foundation stitches. The blunt top of a typical metal hook slides off the stitch too easily.)

I hadn't thought of eyelets as a foundation, but my perspective on that has changed. I like the look that Marty came up with using those.

But let's skip to the part of the class that made me jump up and down: foundation stitches for filet crochet! That's a mesh pattern with a lot of openwork. I had always heard that foundation stitches could only be used when there was supposed to be a stitch in every chain. In other words, if any foundation chains were skipped in a regular pattern, foundation stitches wouldn't work. Au contraire, Pierre! After much puzzling over it, Marty (a former math teacher) figured out a way to make this work. It's worth the price of admission just for that. Here's my filet mesh swatches using the method she developed. One swatch skips one chain, the other skips two:

Filet mesh using foundation stitches

This is really great! And it can be used with other patterns that typically skip chains, like V-stitches.

The lesson on Tunisian crochet and colorwork was helpful as well, but not as new to me as some of the other techniques. I also watched the granny rectangle segment in an earlier lesson but found the pattern too open for a bag...and I'm too lazy to put a lining in. I might use that technique for a different item.

I made a little basket with handles using the pattern that came with the class. The handles are created with foundation single crochet. (I'll weave the ends in and block it tomorrow.)

Handled basket

I give the class a rating of excellent. For any of you who don't know Marty, she has plenty of crochet street cred. She's a former president of the Crochet Guild of America, and she teaches classes all over the country, including at The National NeedleArts Association shows and Chain Link conferences. An author and designer, Marty also has a Ph.D. One of her blogs is here and another is here. She was a big inspiration to me when I rediscovered crocheting about ten years ago. I took one of her classes in Valley Forge--sure wish they would have conventions there again!--and was encouraged by that experience.

Marty's preparation is unmatched. She had her Craftsy lessons all laid out, with her swatches labelled and her yarn and hook at the ready. Having been on HGTV, I know how much time goes into thinking about and making all of those step-outs. Bravo, Marty! The pace of the class gives you enough time to follow along. I was actually able to watch at 1.5 speed for some of the lessons. She not only explains what to do, but why. That understanding of the structure of stitches is very helpful. The class taught me more than I expected, and helped me understand some techniques that had eluded me before. The handouts were thorough. I didn't ask any online questions during class but other people did, and Marty answered them promptly and thoroughly.

As for the Craftsy platform, certain lessons seemed to get stuck and wouldn't play through smoothly, while others worked fine. (I had the same problem with another Craftsy class. Yes, all of my other windows and browsers were closed, and no, my computer memory or buffer zone is not an issue--my in-house tech support, a.k.a. husband, has seen to that.) Changing the play speed didn't help. I tried to be patient (insert maniacal laughter from anyone who knows me well). I like the freedom to watch the lessons when it's convenient for me, and to go back to segments at will.

Now I have to decide how to incorporate foundation stitches into my own projects and designs. For the projects it's a no-brainer: of course I will use foundation stitches and the other techniques Marty taught. It's a little dicier in my published patterns. If I specify foundation stitches, I have to include instructions on how to do them, and probably photos, too. Ideally everyone will take Marty's course and I wouldn't have to explain anything, but realistically I know people will complain if I don't give step-by-step instructions. On the other hand, I don't want to hold back specifying a technique that I think will improve the look of their finished item. I always try to make my patterns as helpful as possible. Designers, what do you do?

What are you waiting for? Go take this class! The link is www.craftsy.com/ext/MartyMiller_4809_F

Volunteers needed to crochet snake segments for the Delaware Museum of Natural History Yarn-Bomb!

NOTE: GAUGE INFORMATION BELOW HAS BEEN UPDATED, 11/3/14 I'm so excited! I've been invited to do a large-scale yarn-bombing and creature installation at one of my favorite local sites, the Delaware Museum of Natural History! It's in conjunction with their exhibit Titanoboa: Monster Snake! and involves creating a 40-foot yarn snake (Yarnensis delawarum) to hang in their display corridor. I'm also going to be decorating some of their outdoor signs, and covering two of their outdoor statues with yarn. The bear statue will be completely encased in white motifs to create "Polar Bear," and the turtle scutes will have colorful motifs on top of the bronze ones. (I'll be asking for volunteers to help with those later; for now I need helpers to make snake segments.)

You can become a part of this unique crochet event! If you'd like to contribute a snake segment, Please sign up for Yarn-bomb for DE Mus. of Nat. Hist.! 

Here's how it works in 3 easy steps: 1. Click this link to go to our invitation page on VolunteerSpot: http://vols.pt/4XYtJY 2. Enter your email address: (You will NOT need to register an account on VolunteerSpot) 3. Sign up! Choose your spots - VolunteerSpot will send you an automated confirmation and reminders. Easy!

(Note: VolunteerSpot does not share your email address with anyone. If you prefer not to use your email address, please contact me, Sharon@SharonSilverman.com, and I can sign you up manually.)

This is a wonderful opportunity to bring attention to fiber arts and especially to get children interested. It's also a great way to support the Delaware Museum of Natural History and to give their Titanoboa: Monster Snake exhibit a holiday season boost. Also the perfect way to use up some of your stash yarn! Thank you very much for your participation, I deeply appreciate it! Email me, Sharon@SharonSilverman.com, if you have any questions.

_________________________________________

And here is the pattern:

SNAKE SEGMENT for DELAWARE MUSEUM OF NATURAL HISTORY, in association with the exhibit TITANOBOA: MONSTER SNAKE!

Thank you for agreeing to crochet a segment of Yarnensis delawarum, a 40-foot long snake that will be on display at the Delaware Museum of Natural History. Your name will appear on the Museum’s list of volunteers when the exhibit is installed in December 2014.

Before you start, a few important notes:

  • Yarn MUST be from a SMOKE-FREE environment.
  • Some of the people who will install the snake in the Museum have severe cat allergies. Please do not send anything made with yarn that could have cat hair on it from the animals themselves, your furniture, storage bins, or your clothing.
  • Gauge is essential! The segments must line up properly and to have the same amount of stretch. Please test your gauge and make sure it meets the specifications below.

MATERIALS

Crochet hook size G/4.25 mm (or size needed to obtain gauge)

Worsted weight yarn (any content as long as it meets the “Acceptable” criteria below)

ACCEPTABLE

Solid color

Variegated

Smooth

NOT ACCEPTABLE

Fuzzy

Shedding

Dirty

Novelty yarn

 

GAUGE

With G hook, in pattern,

56 stitches = 12.5 to 13” (width of segment)

(approximately 18 stitches/4")

10 rows = 5.5” (length of segment)

 

STITCHES AND ABBREVIATIONS:

Back loop only (blo)

Chain stitch (ch)

Double crochet (dc)

Double crochet 2 together (dc2tog)

Loop (lp), loops (lps)

Stitch (st), stitches (sts)

Yarn over (yo)

 

STITCH GUIDE

Back Loop Only: When the hook is inserted only the back loop only, the empty front loop creates a ridge on the side of the work facing you. Look down at the top of the work and you will see a series of V-shaped stitches. The back loop is the part of the V farthest from you.  This is always the case, whether you are working on the right side or wrong side of the work. To work a dc in the blo: Yarn over, insert hook through back loop of stitch, yo, pull up lp, (yo, pull through 2 lps) twice.

Double Crochet 2 Together: To get the waves in chevrons, multiple stitches are worked at the top of each wave. That means there has to be a corresponding decrease in the number of stitches at the bottom of each wave. This is accomplished by working 2 dc stitches together. To do so, work the first dc until 2 lps remain on hook; work a second dc into the next stitch until there are 3 total lps remaining on the hook, yo, pull through all 3 lps. To put it step by step: Yo, insert hook where instructed, yo, pull to front, yo, pull through 2 lps. You will have 2 lps still on the hook. Yo, insert hook into the next stitch, yo, pull to front, yo, pull through 2 lps, yo, pull through remaining 3 lps. Dc2tog completed.

SNAKE SEGMENT

Ch 59. Last 3 chs count as first dc on Row 1.

Row 1: Dc in the 4th ch from hook, dc in next ch, (dc2tog over next 2 chs) twice, dc in next ch, 2 dc in next ch, *2 dc in next ch, dc in next ch, (dc2tog over next 2 chs) twice, dc in next ch, 2 dc in next ch. Repeat from * across.

Notes: The ch-3 at the beginning of Row 2 and all subsequent rows counts as the first dc. Starting with Row 2, work all double crochet stitches into the back loop only.

Row 2: Ch 3, turn. Working in blo, dc in first dc (at base of chains), dc in next dc, (dc2tog over next 2 sts) twice, dc in next dc, 2 dc in next dc, *2 dc in next dc, dc in next dc, (dc2tog over next 2 sts) twice, dc in next dc, 2 dc in next dc. Repeat from *, working last 2 dc in 3rd of 3 ch.

Rows 3-10: Repeat Row 2. Fasten off.

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About the Delaware Museum of Natural History

As the state’s only natural history museum, the Delaware Museum of Natural History opened in 1972 to excite and inform people about the natural world through exploration and discovery. The Museum houses Delaware’s only-permanent dinosaur display, surrounded by exhibits of mammals, shells, and other specimens from around the world. The Museum manages world-renowned scientific collections of mollusks and birds, including one of the top 15 mollusk collections in the United States. The Delaware Museum of Natural History is located five miles northwest of downtown Wilmington and three miles from the Pennsylvania border at 4840 Kennett Pike (Route 52), Wilmington, Delaware, 19807. www.delmnh.org

About Titanoboa: Monster Snake

From a Colombian coal mine 60 million years deep, scientists have uncovered remains of the largest snake in the world – Titanoboa! Measuring 48 feet long and weighing 2,500 pounds, this massive predator could crush and devour a crocodile. Now that scientists have discovered dozens of Titanoboa deep in a fossil bed, prehistoric life will never be the same. Explore this ancient reptile at Titanoboa: Monster Snake. Organized by the Smithsonian Institution Traveling Exhibition Service in collaboration with the Smithsonian Tropical Research Institute, the Smithsonian Channel, the University of Nebraska-Lincoln, and the Florida Museum of Natural History. Sponsored locally by DuPont. Additional support from Corporation Service Company.

Are You Ready for the Book Tour?

UPDATE 8/26: The tour stop at CraftFoxes.com has been moved to September 9. I hope all of you have had a good summer. Here in Pennsylvania it has been truly lovely, with very few of the "hazy, hot, and humid" days that can make July and August oppressive. Instead, we have had mostly clear skies with low humidity and reasonable temperatures. A beautiful backdrop for spending time with family and friends, and doing some local travels.

And now the release of Tunisian Crochet for Baby, published by Stackpole Books, is just days away! This is the first of my crochet titles that will receive the benefit of some advertising on Ravelry. Please let me know if you see the ads, and where they popped up, so I can look. Same with any social media posts or newsletters from yarn companies.

The book is going on tour starting tomorrow---I do miss the days when the author actually went places to sign books, but I'll console myself with the upcoming TNNA Phoenix show---and I am thrilled with the people who have agreed to blog about Tunisian Crochet for Baby (either with book reviews, giveaways, guest posts, or a combination). It's an honor to know they are looking at my work. I've met a few of these impressive women in person and hope to meet all of them someday. I learn a lot from their blogs and from their approach to crafting in general, and crochet in particular. I hope you will become regular visitors to their blogs!

Please check out their sites on the following days:

September 2, Craft Gossip

September 8, Peppermint Mocha Mama

September 9, CraftFoxes [NOT 8/26 as originally planned]

September 10, Underground Crafter

September 12, Happily Hooked

September 15, Poetry in Yarn

September 17, Hooked on Crafting

September 19, CraftLit and Crochet Concupiscence

September 23, Crochet Queen's Royal Ramblings

September 25, Ambassador Crochet

September 26, Karen Whooley

September 29, I Hook Design

September 30, Not Your Granny's Crochet

October 1, The Crochet Architect

October 2, Crochet Cafe/Cute Crochet Chat

October 3, Celtic Knot Crochet

October 6, Amy Solovay

October 7, Crochet with Dee

There may be one more addition, but we are waiting to hear back from that person.

As for the book's specifics, there are 23 Tunisian crochet patterns. Blankets, hats, mittens, a skirt, sweaters, a nursery box and washcloths, a christening set, a poncho...lots of variety in style, stitch patterns, colors, and yarn weights. Here are some photos. I'll save the rest for later posts. Enjoy!

Entrelac Blanket

Zippered Hoodie

 

Nursery Box and Washcloth Quartet

Checkerboard Blanket and HatCheckerboard Blanket and Hat

Sherbet Stripes Blanket and Hat

 

Christening Bonnet and Booties

Christening Gown