Craftsy Class Review, Mastering Foundation Crochet Stitches

I had the opportunity to take Marty Miller's Craftsy Course, "Mastering Foundation Crochet Stitches," and I'd like to share my experience with you. The class has seven lessons (Extended vs. Foundation; Basic Foundation Stitches; Using Foundation Stitches; Eyelets; Foundation Stitches in Pattern; Foundations in Filet, Mesh, and More; Tunisian, Colorwork & Beyond). I learned a lot and will use the new techniques in my future projects. Marty is an experienced, organized instructor who explains things very clearly. For anyone unfamiliar with the term, foundation stitches are what you do to start your crochet work, typically on the first row. Most of us make a long chain and then work stitches back into the chain. Sometimes we go through the top chain loop, sometimes the back bump, sometimes both, but we still use the chain in some way.

There are other--better--ways to start a project. What are the advantages of using foundation stitches instead of a long chain? For one, you don't have to worry that you mis-counted your chain and will have too few when you get to the end of Row 1. (No big deal if we're talking 10 or 20 stitches, but some patterns have several hundred chains and it is easy to mess up). When doing foundation stitches, do as many as you need. You still have to count them, but just add more until you have the right amount. Another advantage is the stretchiness of the fabric. My foundation chain is always tighter than the rest of my stitches. I've tried going up a hook size for the chain, but usually I forget to switch back to the smaller hook. If the foundation chain is too tight, the piece gets wider as the rows go up. Not good. A third plus is that the bottom of the piece looks exactly the same as the top, with all the V's lined up. You can also use foundation stitches for handles, like on a basket or bag, and for buttonholes, and to add stitches at the end of a row. It is also Marty's preferred technique when starting a project with novelty yarn. You can feel where to place the stitches, and in a chain you'd never figure out where they go.

The way to make a foundation stitch is basically to create a chain as part of the stitch you're working on, and use that as the entry point for the next stitch. Rather than start with that, Marty takes us through extended stitches first. An extended stitch has an extra chain inserted in it to make it taller. For example, to make a regular double crochet the instructions are yo, insert hook where indicated, yo, pull up lp, [yo, pull through 2 lps] twice. For an extended double crochet, it's yo, insert hook where indicated, yo, pull up lp, ch 1, [yo, pull through 2 lps] twice. By practicing with extended stitches we begin to see where that extra chain is. That's the chain we'll use when we move on to foundation stitches.

I was familiar with extended stitches but haven't used them much. Marty presents some good reasons to do so. One, if your stitch gauge is accurate but your row gauge is too short, you can fix that by using extended stitches. A more compelling reason is because the work goes faster! Look at the swatches below. (They are unblocked so you can tell nothing is fudged.) The one on the left uses double crochet stitches; the one on the right uses extended double crochets. The same number of rows, but look how much taller the second swatch is. A time-saver for sure!

Regular and extended stitches

 

Next we moved on to foundation stitches. Here again, I was familiar with them but hadn't used them much. I think I was only going through one loop of the stitch, which made my stitches messy. Watching Marty I could see that I should go through both loops. Marty's advice to look for the chains on the extended stitches was right on, as it was much easier to find where to put things on the actual foundation swatch.

(By the way, I highly recommend a pointy hook when doing foundation stitches. The blunt top of a typical metal hook slides off the stitch too easily.)

I hadn't thought of eyelets as a foundation, but my perspective on that has changed. I like the look that Marty came up with using those.

But let's skip to the part of the class that made me jump up and down: foundation stitches for filet crochet! That's a mesh pattern with a lot of openwork. I had always heard that foundation stitches could only be used when there was supposed to be a stitch in every chain. In other words, if any foundation chains were skipped in a regular pattern, foundation stitches wouldn't work. Au contraire, Pierre! After much puzzling over it, Marty (a former math teacher) figured out a way to make this work. It's worth the price of admission just for that. Here's my filet mesh swatches using the method she developed. One swatch skips one chain, the other skips two:

Filet mesh using foundation stitches

This is really great! And it can be used with other patterns that typically skip chains, like V-stitches.

The lesson on Tunisian crochet and colorwork was helpful as well, but not as new to me as some of the other techniques. I also watched the granny rectangle segment in an earlier lesson but found the pattern too open for a bag...and I'm too lazy to put a lining in. I might use that technique for a different item.

I made a little basket with handles using the pattern that came with the class. The handles are created with foundation single crochet. (I'll weave the ends in and block it tomorrow.)

Handled basket

I give the class a rating of excellent. For any of you who don't know Marty, she has plenty of crochet street cred. She's a former president of the Crochet Guild of America, and she teaches classes all over the country, including at The National NeedleArts Association shows and Chain Link conferences. An author and designer, Marty also has a Ph.D. One of her blogs is here and another is here. She was a big inspiration to me when I rediscovered crocheting about ten years ago. I took one of her classes in Valley Forge--sure wish they would have conventions there again!--and was encouraged by that experience.

Marty's preparation is unmatched. She had her Craftsy lessons all laid out, with her swatches labelled and her yarn and hook at the ready. Having been on HGTV, I know how much time goes into thinking about and making all of those step-outs. Bravo, Marty! The pace of the class gives you enough time to follow along. I was actually able to watch at 1.5 speed for some of the lessons. She not only explains what to do, but why. That understanding of the structure of stitches is very helpful. The class taught me more than I expected, and helped me understand some techniques that had eluded me before. The handouts were thorough. I didn't ask any online questions during class but other people did, and Marty answered them promptly and thoroughly.

As for the Craftsy platform, certain lessons seemed to get stuck and wouldn't play through smoothly, while others worked fine. (I had the same problem with another Craftsy class. Yes, all of my other windows and browsers were closed, and no, my computer memory or buffer zone is not an issue--my in-house tech support, a.k.a. husband, has seen to that.) Changing the play speed didn't help. I tried to be patient (insert maniacal laughter from anyone who knows me well). I like the freedom to watch the lessons when it's convenient for me, and to go back to segments at will.

Now I have to decide how to incorporate foundation stitches into my own projects and designs. For the projects it's a no-brainer: of course I will use foundation stitches and the other techniques Marty taught. It's a little dicier in my published patterns. If I specify foundation stitches, I have to include instructions on how to do them, and probably photos, too. Ideally everyone will take Marty's course and I wouldn't have to explain anything, but realistically I know people will complain if I don't give step-by-step instructions. On the other hand, I don't want to hold back specifying a technique that I think will improve the look of their finished item. I always try to make my patterns as helpful as possible. Designers, what do you do?

What are you waiting for? Go take this class! The link is www.craftsy.com/ext/MartyMiller_4809_F

Volunteers needed to crochet snake segments for the Delaware Museum of Natural History Yarn-Bomb!

NOTE: GAUGE INFORMATION BELOW HAS BEEN UPDATED, 11/3/14 I'm so excited! I've been invited to do a large-scale yarn-bombing and creature installation at one of my favorite local sites, the Delaware Museum of Natural History! It's in conjunction with their exhibit Titanoboa: Monster Snake! and involves creating a 40-foot yarn snake (Yarnensis delawarum) to hang in their display corridor. I'm also going to be decorating some of their outdoor signs, and covering two of their outdoor statues with yarn. The bear statue will be completely encased in white motifs to create "Polar Bear," and the turtle scutes will have colorful motifs on top of the bronze ones. (I'll be asking for volunteers to help with those later; for now I need helpers to make snake segments.)

You can become a part of this unique crochet event! If you'd like to contribute a snake segment, Please sign up for Yarn-bomb for DE Mus. of Nat. Hist.! 

Here's how it works in 3 easy steps: 1. Click this link to go to our invitation page on VolunteerSpot: http://vols.pt/4XYtJY 2. Enter your email address: (You will NOT need to register an account on VolunteerSpot) 3. Sign up! Choose your spots - VolunteerSpot will send you an automated confirmation and reminders. Easy!

(Note: VolunteerSpot does not share your email address with anyone. If you prefer not to use your email address, please contact me, Sharon@SharonSilverman.com, and I can sign you up manually.)

This is a wonderful opportunity to bring attention to fiber arts and especially to get children interested. It's also a great way to support the Delaware Museum of Natural History and to give their Titanoboa: Monster Snake exhibit a holiday season boost. Also the perfect way to use up some of your stash yarn! Thank you very much for your participation, I deeply appreciate it! Email me, Sharon@SharonSilverman.com, if you have any questions.

_________________________________________

And here is the pattern:

SNAKE SEGMENT for DELAWARE MUSEUM OF NATURAL HISTORY, in association with the exhibit TITANOBOA: MONSTER SNAKE!

Thank you for agreeing to crochet a segment of Yarnensis delawarum, a 40-foot long snake that will be on display at the Delaware Museum of Natural History. Your name will appear on the Museum’s list of volunteers when the exhibit is installed in December 2014.

Before you start, a few important notes:

  • Yarn MUST be from a SMOKE-FREE environment.
  • Some of the people who will install the snake in the Museum have severe cat allergies. Please do not send anything made with yarn that could have cat hair on it from the animals themselves, your furniture, storage bins, or your clothing.
  • Gauge is essential! The segments must line up properly and to have the same amount of stretch. Please test your gauge and make sure it meets the specifications below.

MATERIALS

Crochet hook size G/4.25 mm (or size needed to obtain gauge)

Worsted weight yarn (any content as long as it meets the “Acceptable” criteria below)

ACCEPTABLE

Solid color

Variegated

Smooth

NOT ACCEPTABLE

Fuzzy

Shedding

Dirty

Novelty yarn

 

GAUGE

With G hook, in pattern,

56 stitches = 12.5 to 13” (width of segment)

(approximately 18 stitches/4")

10 rows = 5.5” (length of segment)

 

STITCHES AND ABBREVIATIONS:

Back loop only (blo)

Chain stitch (ch)

Double crochet (dc)

Double crochet 2 together (dc2tog)

Loop (lp), loops (lps)

Stitch (st), stitches (sts)

Yarn over (yo)

 

STITCH GUIDE

Back Loop Only: When the hook is inserted only the back loop only, the empty front loop creates a ridge on the side of the work facing you. Look down at the top of the work and you will see a series of V-shaped stitches. The back loop is the part of the V farthest from you.  This is always the case, whether you are working on the right side or wrong side of the work. To work a dc in the blo: Yarn over, insert hook through back loop of stitch, yo, pull up lp, (yo, pull through 2 lps) twice.

Double Crochet 2 Together: To get the waves in chevrons, multiple stitches are worked at the top of each wave. That means there has to be a corresponding decrease in the number of stitches at the bottom of each wave. This is accomplished by working 2 dc stitches together. To do so, work the first dc until 2 lps remain on hook; work a second dc into the next stitch until there are 3 total lps remaining on the hook, yo, pull through all 3 lps. To put it step by step: Yo, insert hook where instructed, yo, pull to front, yo, pull through 2 lps. You will have 2 lps still on the hook. Yo, insert hook into the next stitch, yo, pull to front, yo, pull through 2 lps, yo, pull through remaining 3 lps. Dc2tog completed.

SNAKE SEGMENT

Ch 59. Last 3 chs count as first dc on Row 1.

Row 1: Dc in the 4th ch from hook, dc in next ch, (dc2tog over next 2 chs) twice, dc in next ch, 2 dc in next ch, *2 dc in next ch, dc in next ch, (dc2tog over next 2 chs) twice, dc in next ch, 2 dc in next ch. Repeat from * across.

Notes: The ch-3 at the beginning of Row 2 and all subsequent rows counts as the first dc. Starting with Row 2, work all double crochet stitches into the back loop only.

Row 2: Ch 3, turn. Working in blo, dc in first dc (at base of chains), dc in next dc, (dc2tog over next 2 sts) twice, dc in next dc, 2 dc in next dc, *2 dc in next dc, dc in next dc, (dc2tog over next 2 sts) twice, dc in next dc, 2 dc in next dc. Repeat from *, working last 2 dc in 3rd of 3 ch.

Rows 3-10: Repeat Row 2. Fasten off.

_________________________________________________________

About the Delaware Museum of Natural History

As the state’s only natural history museum, the Delaware Museum of Natural History opened in 1972 to excite and inform people about the natural world through exploration and discovery. The Museum houses Delaware’s only-permanent dinosaur display, surrounded by exhibits of mammals, shells, and other specimens from around the world. The Museum manages world-renowned scientific collections of mollusks and birds, including one of the top 15 mollusk collections in the United States. The Delaware Museum of Natural History is located five miles northwest of downtown Wilmington and three miles from the Pennsylvania border at 4840 Kennett Pike (Route 52), Wilmington, Delaware, 19807. www.delmnh.org

About Titanoboa: Monster Snake

From a Colombian coal mine 60 million years deep, scientists have uncovered remains of the largest snake in the world – Titanoboa! Measuring 48 feet long and weighing 2,500 pounds, this massive predator could crush and devour a crocodile. Now that scientists have discovered dozens of Titanoboa deep in a fossil bed, prehistoric life will never be the same. Explore this ancient reptile at Titanoboa: Monster Snake. Organized by the Smithsonian Institution Traveling Exhibition Service in collaboration with the Smithsonian Tropical Research Institute, the Smithsonian Channel, the University of Nebraska-Lincoln, and the Florida Museum of Natural History. Sponsored locally by DuPont. Additional support from Corporation Service Company.

Are You Ready for the Book Tour?

UPDATE 8/26: The tour stop at CraftFoxes.com has been moved to September 9. I hope all of you have had a good summer. Here in Pennsylvania it has been truly lovely, with very few of the "hazy, hot, and humid" days that can make July and August oppressive. Instead, we have had mostly clear skies with low humidity and reasonable temperatures. A beautiful backdrop for spending time with family and friends, and doing some local travels.

And now the release of Tunisian Crochet for Baby, published by Stackpole Books, is just days away! This is the first of my crochet titles that will receive the benefit of some advertising on Ravelry. Please let me know if you see the ads, and where they popped up, so I can look. Same with any social media posts or newsletters from yarn companies.

The book is going on tour starting tomorrow---I do miss the days when the author actually went places to sign books, but I'll console myself with the upcoming TNNA Phoenix show---and I am thrilled with the people who have agreed to blog about Tunisian Crochet for Baby (either with book reviews, giveaways, guest posts, or a combination). It's an honor to know they are looking at my work. I've met a few of these impressive women in person and hope to meet all of them someday. I learn a lot from their blogs and from their approach to crafting in general, and crochet in particular. I hope you will become regular visitors to their blogs!

Please check out their sites on the following days:

September 2, Craft Gossip

September 8, Peppermint Mocha Mama

September 9, CraftFoxes [NOT 8/26 as originally planned]

September 10, Underground Crafter

September 12, Happily Hooked

September 15, Poetry in Yarn

September 17, Hooked on Crafting

September 19, CraftLit and Crochet Concupiscence

September 23, Crochet Queen's Royal Ramblings

September 25, Ambassador Crochet

September 26, Karen Whooley

September 29, I Hook Design

September 30, Not Your Granny's Crochet

October 1, The Crochet Architect

October 2, Crochet Cafe/Cute Crochet Chat

October 3, Celtic Knot Crochet

October 6, Amy Solovay

October 7, Crochet with Dee

There may be one more addition, but we are waiting to hear back from that person.

As for the book's specifics, there are 23 Tunisian crochet patterns. Blankets, hats, mittens, a skirt, sweaters, a nursery box and washcloths, a christening set, a poncho...lots of variety in style, stitch patterns, colors, and yarn weights. Here are some photos. I'll save the rest for later posts. Enjoy!

Entrelac Blanket

Zippered Hoodie

 

Nursery Box and Washcloth Quartet

Checkerboard Blanket and HatCheckerboard Blanket and Hat

Sherbet Stripes Blanket and Hat

 

Christening Bonnet and Booties

Christening Gown

Book Review, The Fine Art of Crochet by Gwen Blakley Kinsler

Most crochet books in my collection are pattern books or stitch guides. Today I'm reviewing a different kind of volume, more museum exhibition catalog than how-to. It's The Fine Art of Crochet: Innovative Works from 20 Contemporary Artists by Gwen Blakley Kinsler. (I received a review copy from AuthorHouse™; as always in my reviews, what follows is an honest assessment. Photos are used with permission.) The Fine Art of Crochet

I knew I would like this book as soon as I saw that the introductory quote is from Bruce Hoffman, Director of the Snyderman-Works Gallery in Philadelphia. "Crocheting, like felting, knitting and weaving, is finding a new wonderful voice in contemporary art making, impressively breaking previous stereotyped borders," he says. (Hoffman knows what he's talking about. The gallery is hosting the 9th International Fiber Biennial right now, through April 26, 2014. I have to get down there before it closes!) Click here for the gallery. 

Gwen Kinsler's crochet credentials are impeccable. The "Crochetqueen" is founder of the Crochet Guild of America. Just think about what that means. Those of us who are members may take the Guild's existence and services for granted, but without Gwen, it wouldn't exist. CGOA has been instrumental in elevating crochet to its deserved position in the world of fiber arts. That alone would guarantee Gwen a solid place in crochet history, as would her design work, but she's not one to rest on her laurels. Her passion for contemporary art and the intrinsic worth of crochet led her to dream of curating a book showcasing what we can call "art crochet." The Fine Art of Crochet realizes that ambition.

What can you expect to find in this inspiring, lavishly illustrated book? First is some excellent introductory material about the origins of crochet and its modern evolution/revolution. The heart of the book features twenty artists, some of whom have been practicing their art and craft for decades, others who have picked up the hook more recently. There is a biography of each artist, nice big photos of some of their works, and quotes in which they explain what motivates them and what their goals are.

Contemporary art can be beautiful, inspiring, unsettling, or all three, the perfect vehicle for stimulating dialogue. The items in this book are no exception. Reading what the artist intended is often educational in this regard. For example, the throw-rug sized circles in Carol Hummel's "Aspen Invasion," an installation in Steamboat Springs, CO, struck me as a fun and colorful path from one hot tub to the next. I could picture vacationers sprinting between properties on a snowy day. It was a bit shocking to learn that the artist was making a statement about environmental protection in the face of development, and that what I had perceived as stepping-stones actually represented viruses oozing out of the hot water and smothering everything in their way.

Nathan Vincent's crochet sculpture, "Dynamite," envelops rough, harsh objects in soft, inviting fiber. This artistic exploration of gender stereotypes blurs the line between masculine and feminine.

Dynamite Crocheted yarn with cardboard, wood and fabric (Photo: Caroline Voagen Nelson)

In Leslie Pontz's "Cactus Arm Flowered #5," the artist uses crocheted wire, thread, iron, and paint to represent a deflated cactus form that gives rise to the seeds of the next generation. "My work is `edgy' and is a visual presentation that requires people to think outside the box," says the artist.

Cactus Arm Flowered #5 Crocheted wire, thread, iron, paint 32 x 24 x 4 inches Courtesy of the artist

For Gwen Kinsler, keeping a sense of humor is essential. Her playful approach, creativity, and crochet skills led her to create "Heartrock Hotel," made of Kreinik™ metallic thread. She has covered rocks in crochet for years, and explains the motivation for this piece:

 I have a degree in nursing and when I worked in an adult day center with clients with dementia, my boss gave me a small rock shaped like a heart. I had also collected the larger rock that I noticed was truly shaped like an anatomical heart. One day in the shower it came to me (it's where most of my good ideas surface!): "Heartrock," a play on the Hard Rock chain of hotels. So, I challenged myself to crochet over the rock and to place the large vessels in their correct locations. The vessels became the hotel rooms and I called the larger "pulmonary artery" the penthouse. That's where I attached the smaller covered heart with a small chain to keep it in place, but moveable."

Heartrock Hotel Gwen Blakley Kinsler Crochet, Kreinik metallic threads, various 4 x 6 inches

Throughout the book you can expect to see familiar and non-traditional materials; figurative and abstract works; mathematically conceived and nature-inspired pieces; items that fit in your hand or take up a gallery wall; pieces to be worn, pieces to be displayed, pieces to gape at. Here is a complete list of artists Gwen Blakley Kinsler has included:

Arlene Frisch; Georgina Valverde; Pate Conaway; Carol Hummel; Renie Breskin Adams; Donna Lish; Dale Roberts; Nathan Vincent; Andrea Uravitch; Kathleen Holmes; Tracy Krumm; Donna Rosenthal; Karen Searle; Soonran Youn; Jerry Bleem; Jo Hamilton; Yvette Kaiser Smith; Bonnie Meltzer; Carol Ventura.

(I was delighted to see Dr. Ventura's tapestry crochet included. From her practical yet beautiful "Geometry Tote" to her crocheted portraits, Carol's name is synonymous with tapestry crochet. She is also a generous teacher: I took her course through CGOA several years ago and remain grateful for her encouragement.)

There are a few technical issues with the book. Some of the photo captions look like they were imperfectly cut-and-pasted—the bottom parts of letters are cut off. Also, it is sometimes hard to tell the captions from the text. It would have been nice to have the artist's name with every picture, as well as the date that the pictured item was created. There are other little glitches (like the missing comma or colon to set off a quote on p. 13, and the backwards quotation marks there). Although AuthorHouse provides editing, it would have been a good idea for Gwen Kinsler to send a pre-press copy to another proofreader.

Don't let these minor problems discourage you from exploring this worthwhile book. The Fine Art of Crochet is a much-needed exploration of the diverse styles, shapes, and textures of today's crochet. Marvel at the creations within, and be inspired.

The Fine Art of Crochet by Gwen Blakley Kinsler. Published by AuthorHouse. 112 pages; ISBN-10: 1481731866; ISBN-13: 978-1481731867. List price $34.99

Purchase from Amazon here.

Karen Whooley's "Fair Isle" class on Craftsy; 50% off for you!

If you like color and pattern, you've probably been intrigued by Fair Isle. Maybe you wondered if this traditional Shetland Islands technique could be used for crocheting as well as knitting, and whether it would be too difficult for you. The Poet Shawl

Wonder no longer! Craftsy is offering a new class, "Demystifying Fair Isle Crochet," taught by Karen Whooley. (Full disclosure: I received free access to the class. As you know, I will give you an honest assessment.) In the class Karen proves that (a) you can crochet Fair Isle and (b) it's not too hard for you! Keep reading and you will find a link for 50% off the class price!

 

Karen Whooley looks right at home in the Craftsy studios

Karen is no stranger to Fair Isle: in fact, she is the author of Learn to Fair Isle Crochet (2012; Annie's), Fair Isle to Crochet (2010; Leisure Arts), and six other crochet titles—with three more in the works. She's done her share of teaching also, from small guild meetings to national shows. If you subscribe to any crochet magazines you have probably seen her work.

"Demystifying Fair Isle Crochet" has the professional production quality and good pace that Craftsy classes are known for. You really get in-depth instruction from Karen. The course runs a little more than three hours and includes seven lessons, beginning with introductory material and leading up to three Fair Isle projects: the Poet Shawl, a trivet, and a hat.

Traditional Fair Isle usually includes up to five colors in a fairly muted palette; however, some people call any kind of stranded colorwork "Fair Isle." No matter which definition you use, Fair Isle crochet is worked with two strands of yarn on every row. They can be the same color for solid portions of an item, but will be in two colors elsewhere. The pattern is brought to life by having a certain color on the front in a certain position of the pattern. To know where that position is, Fair Isle is charted on graph paper. Karen is very thorough when she teaches how to interpret a graph. She explains the way to handle repeats, both horizontally and vertically, and gives tips to right- and left-handers. She also includes patterns that will be worked in the round, like the hat.

Fair Isle hat worked in the round

It's obvious that Karen did a lot of preparation for the class. (Having been on HGTV's "Uncommon Threads" myself, I can attest to the importance of having step-outs ready at the right time—and to how time-consuming it is to prepare them.) I especially liked in the Poet Shawl when she intentionally made five different types of mistakes, then went back to show us what they were and what caused them. It's helpful to know what to avoid, especially when the only solution might be to rip out several rows. (I do think that if a float ends up on the front rather than the back, you might be able to cut it and weave it through to the back; and if you happened to use the wrong color in a stitch or two, you could cross-stitch over it in the correct yarn.)

I love the colors and pattern in this trivet!

Although Karen is a crochet star, she isn't a movie star (yet). She explains the process of working with Craftsy:

From contact to filming it was about 2.5 months. This was quick because I had already written two books on Fair Isle in Crochet and I have taught classes on the subject. Since I had the basics of the class already in place, it was just a matter of fleshing it out, creating samples and new patterns. They have lots of help for teachers  who have never been on film before—like me! But once I was there and got through the first lesson, it was a whole lot easier.

Like every good crochet teacher, Karen emphasizes making a gauge swatch, especially for something worked in the round like a hat. "You would be surprised how different your gauge can be in my Fair Isle technique versus normal single crochet," she says.

My Fair Isle swatch. I'm using scrap yarn for practice, so ignore the poor color choice!

I highly recommend this course for anyone interested in Fair Isle or who wants to learn a new technique. What you can expect from the Karen's Craftsy video course:

●  an introduction to Fair Isle, and a course overview;

● detailed instructions on how to change colors (and not get tangled);

● how to let the yarn "float" across the back and how to work over it to hide the floats;

● three original projects, including written patterns and charts you can print out;

● a forum to ask questions and get answers;

● in-depth instructions on working flat and in the round;

● several options for finishing your pieces;

● a bonus: tips for creating your own Fair Isle charts.

Where else can you find Karen Whooley?

Twitter: @KRWKnitwear for professional tweets; @12thManKnitting for all things football!

Ravelry: KRWKnitwear.

Website: karenwhooley.com

Teaching schedule: http://karenwhooley.com/calendar/

And oh, yeah! Here's the link to the 50% off deal for Karen's Craftsy Class, "Demystifying Fair Isle Crochet."

Happy crocheting!

Book review, Mommy & Me Crocheted Hats

Hats for the whole family! That's the subject of today's book review of Mommy & Me Crocheted Hats: 30 Fun & Stylish Designs for Kids of All Ages by Kristi Simpson. (Full disclosure: I received a copy of the book from publisher Stackpole Books, which has also published several of my crochet titles. As you know if you have read any of my previous reviews, my loyalty is to you, the reader, regardless of a book's origin.) Mommy & Me Crocheted Hats

Don't let the "Mommy" designation put you off. There are hats for dads and dudes, too (beard, anyone?). Grandparents, aunts, uncles, neighbors...everyone will enjoy these creative projects. The book has an energetic feel that's sure to inspire.

Kristi designed, crocheted, and photographed a variety of hats from form-fitting beanies to headgear perfect for costume parties. If you like critters, the Horse Hat, Giggle Monster, Zack the Zombie, Sock Monkey Twist, Lamb Bonnet, and Snowman Cap give ample opportunity to embellish hats with eyes, noses, ears, and more. The Ahoy Mate! Pirate Hat is a clever way to conjure up a pirate when you don't have an eyepatch at hand.

Groovy Waves Beanie

There are some more traditional styles as well. The Groovy Waves Beanie, Luvbug Slouchy, Mary Kate Cloche, and Ocean Air Cloche are some of my favorites.

Kristi writes a different set of instructions for each size. That makes it very easy to keep one's place when following a pattern. I crocheted the Mary Kate Cloche in size medium and didn't have any trouble--and you know how fussy I am about instructions! Technique photos in the patterns and at the back of the book are helpful and clear, as are the pictures of the finished hats.

The book has a homey feel, in part because Kristi photographed real people rather than professional models. I support this inclusive approach, but I don't think it would have been inappropriate to do some photo editing (say on some drool). I know babies are messy, but I don't necessarily want to look at that writ large! Some of the pictures are not as crisp as professional photos for publication should be. For example, the cover page of the Sock Monkey Twist on page 48 and the Baby Doll Hat on page 32 are blurry in places. It's unfortunate when the background color doesn't contrast enough with the hats, like when the cute green fuzz on top of Zack the Zombie disappears into a green background. Sometimes there is also an odd borderline between the subject of the photos and the background.

I question the "Beginner" skill level assigned to many of the projects: I think those should be reclassified as "Easy." The Craft Yarn Council of America, which sets industry standards, defines Beginner projects as "Projects for first-time crocheters using basic stitches. Minimal shaping." Easy is "Projects using yarn with basic stitches, repetitive stitch patterns, simple color changes, and simple shaping and finishing." Although assigning a skill level is not an exact science, hats with shaping and color changes would seldom fit into the "Beginner" category. And it's hard for me to think of any rationale that would designate a project with bobbles as suitable for first-time crocheters.

The other thing that gives me pause is the use of buttons on baby/toddler hats. I know there are safe ways to secure buttons, and they make adorable embellishments, and plenty of crocheters use them in patterns for young children, but the mom in me only sees them as a choking hazard. (If you do use buttons, please make sure they are sewn on to stay.)

Getting back to the patterns, the hats themselves are a lot of fun! Obviously, if you're making one for an infant you'll choose the project, but for toddlers and older children I think it would be great to let your child pick out his or her favorite(s) and be involved in the shopping trip to get the supplies. Kids love to do what adults do, so sit next to them when you start the project. Explain what you're doing—even young kids will take in a lot more than you might think. When the little ones are four or five, seize the opportunity to put a hook in their hands and teach them how to make a chain! (One advantage crocheting has over knitting: no pointy needles.) Who knows, you may inspire a new generation of crocheters.

Giggles and Curls Hat

I love the idea of making hats for the whole family and then taking snapshots together. Not only will you have created hats you'll have fun wearing, you'll have made some priceless memories as well.

If you love hats and are looking for quick, fun projects to crochet for every member of the family, I recommend Mommy & Me Crocheted Hats.