New winner, Susmita M! And TNNA coming up.

No word from last week's winner of the free "Crochet Ripples Class" from Annie's, Pam W., so I have chosen a new winner at random. Susmita M., you're in luck! Please send me your email and I'll get you the code so you can access your class. (Pam, if you're still out there, send me your email, too, and I'll see what I can do for you.)

TNNA (The National NeedleArts Association) holds its conference in Washington, DC in less than two weeks. For the uninitiated, the conference is referred to as "TNNA," just like the name of the organization. 

So, where was I yesterday and today? Washington! Those of you who know my penchant for thorough planning may assume I was there on a reconnaissance mission so I know exactly where to go for the conference--and while that wouldn't be totally out of character, it would be a bit extreme, even for me. We were there to drop off our son for his summer job. I was reminded how much fun it is to walk around DC. Restaurants, museums, interesting architecture, history, every conceivable language being spoken, more restaurants...very lively. I was also reminded how little I like driving in DC. Streets at crazy angles, lots of one-way streets, traffic circles that require you to be in a certain lane that you don't know about until you miss your turnoff at least once...much better to be on foot or take the Metro (as long as your line isn't under construction). 

I've missed the past few TNNA conferences and am really looking forward to this one. With several books just finished, I'm ready to start some new projects so it's a great time to look at all of the fabulous yarn choices. I'll stop by booths of my perennial favorites, including Blue Heron, Tahki/Stacy Charles, Plymouth, Crystal Palace, Jojoland, Bijou Basin, Brown Sheep, Louet, plus ChiaoGoo Hooks and Denise Interchangeable Hooks; introduce myself to the Madelinetosh folks, since I used some of their yarn in my upcoming Crochet Cowls book; and will look at new products from yarn companies whose fibers I'd love to try out, including Malabrigo and Manos del Uruguay. I'll also stop by publishers' booths--you never know when an opportunity to collaborate could present itself.

Sunday morning I've agreed to participate in a focus group about the organization. One thing I have found maddening is the lack of transparency about the way classes are selected. Several years ago I taught "Beaded Crochet Wrap," a project class, at TNNA in California. Every student gave the class a top rating. One woman wrote in the comments that it was the best class she had ever attended in all her years coming to TNNA. For several years after that, I submitted class proposals...and not one was accepted. Go figure. There was never a reason given. I finally stopped trying. Clearly there is not a big focus on crochet--if I counted right, only four of the classes are crochet topics (and one of those is how to put a zipper into crocheted or knitted garments). So, TNNA, please tell me WHAT ARE YOU LOOKING FOR? Do you want business classes? Project classes? Only classes that will bring in a certain minimum number of students? If so, what is that number? Do teachers have to get a certain number of classes accepted for a single show in order to be considered at all? If I had some parameters, I could decide whether to submit a class proposal or not. Barring that, I'm not willing to waste my time. For years I went to the Designer/Teacher sessions, in which everyone complained about this, but nothing was ever done so I gave up on that, too.

I'm more hopeful this time for two reasons: (1) having a focus group implies that the current Board cares enough to pay someone to get this information and, presumably, make recommendations on it; and (2) Board President Dave van Stralen just announced that a new management company will be taking over the administration of future shows. I'm cautiously optimistic but not expecting too much. We'll see.

The best part of the show is always the people! I can't wait to see yarn reps, other designers, publishers, friends...and to meet people with whom I've corresponded but never had the pleasure to see face to face. I'm especially eager to see new books and projects from other designers. There is strong support and camaraderie. We want each other to succeed. 

The timing worked out well, too. My husband will go with me, and he and our son will take in the Phillies-Nationals game while I'm oohing and aahing over yarn. I'm sure we'll get some time for our whole family to be together for a meal or two.  

New website, new blogging tool

My old website was just that: old! The design was done seven years ago and was due for some brightening up. Categories needed to be redefined and reorganized, new books and patterns needed to be added, I wanted to be able to link to my videos, and I was desperate for a blogging tool that was less balky than the one I was struggling with. Most of all, I wanted to improve the user experience, whether you're coming to my site from a PC, phone, or other mobile device.

                                                      Photo from upcoming class

                                                      Photo from upcoming class

FolioFLY Website Solutions listened to my goals for the website and came up with a complete redesign (they had done my previous site and were familiar with my work). They migrated me to SquareSpace and developed a nice, clean look. We went back and forth many times over the last 4-6 weeks honing each page to perfection. One really great feature is on the books page, where you can click on "Sneak Peek" and see photos of all of the projects in a book. 

A crucial thing for me was the blogging tool. I would have blogged more regularly if it hadn't been so frustrating trying to position photos in WordPress and getting the text to wrap properly. (If you love WordPress, feel free to blame me for any issues I had with it! Suffice it to say that even after much instruction and many attempts--including working with the html code--it was not the right platform for me.) 

And now the big day is here: my first blog post using SquareSpace! Let me bring you up to date with the news.

One-Skein Baby Projects has received several published reviews. Marty Miller wrote about it on Not Your Granny's Crochet, Kristine at Ambassador Crochet blogged about it here, and Sue at Crochet Addict UK posted her review here. Even I got into the act with a guest blog for Leisure Arts in which I talked about the design process.

Meanwhile, things keep moving through the pipeline. Easy Afghans will be released next week!

                                                    Cover photo of Easy Afghans

                                                    Cover photo of Easy Afghans

The class I filmed for Annie's will be live on May 17th! As soon as I get the go-ahead, I'll share the details with you.

And Crochet Cowls is making its way through production. I've started talking with some yarn shop folks about doing release events, book-signings, and master classes. 

                                              Green Fields Capelet from Crochet Cowls

                                              Green Fields Capelet from Crochet Cowls

Due to popular demand I am finally creating some instructional videos. I learn something new with each one, and continue to improve the lighting and editing. If you're interested, please subscribe to my YouTube channel here. Let me know if you want to see a particular stitch demonstrated. So far I've been concentrating on Tunisian crochet, but I'm not going to limit the videos to that branch of crochet.

I still have a lot to learn about how my new website works, and how I can update it myself. For now, I'm thrilled with the way it looks and works, and I'm very grateful to FolioFLY for their immense patience with me as we went through the redesign process!

Teaching for Annie's

After months in the works, I had the opportunity two weeks ago to fly to Indiana and film an online class for Annie's.  Most of you crafters will know Annie's for their catalog and craft supplies. They also have an impressive and growing line of classes. Instructors that have worked for them include Lily Chin, Ellen Gormley, Patty Lyons, and Rohn Strong, to name just a few. Anyway, late last summer I was approached by Susan Sullivan. Susan is now president of the Crochet Guild of America, and she works as a producer for Annie's. She and I met several years ago when she was with Leisure Arts; thanks to her, LA has published several of my crochet titles.  Susan wanted to know if I was interested in submitting a proposal for an Annie's class that would be available online and via DVD. (You have probably guessed by now that I can't yet reveal the name of the class--sorry!--as soon as I get the okay I'll share the content with you.)

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Hagley Museum Yarnbomb Is Up!

It's April 2nd, a warm, breezy day with crocuses finally blooming and daffodils considering it. What a difference from last week, when I installed the yarnbomb of Hagley Museum's gates and pillars. It was the culmination of months of planning and crocheting, weeks of help from Hagley's handwork volunteers, and four days of enduring freezing temperatures, snow flurries, fog, and rain to put everything in place. I had pictured myself like an artist hanging a gallery show, albeit outdoors, perhaps wearing all black clothing and a chic scarf, scrutinizing placement to see if a piece of art should be moved an inch to the left or right. Instead I was dressed for the arctic, complete with quilted ski pants and a hooded parka. Oh, the glamour! It was quite challenging to get my fingers to work. I had warming packets inside fingerless gloves and I could curl the fingertips in once in a while to warm them, but that was only partially effective. Day 1 was spent sewing all of the green stems around the iron bars. The needle kept getting tangled up in my gloves, slowly destroying them.

Here are some photos of the preparations and of the Day 1 installation (apologies for how these render--they look one way in Draft mode, another way in Published mode, and not right in either mode):

Stems in place
Stems in place
Stems ready to attach
Stems ready to attach

Days 2 and 3 were for flowers and leaves, and the eagle filet crochet panel.

Small gate
Small gate
Left-hand gate
Left-hand gate
Right-hand gate with peach blossoms
Right-hand gate with peach blossoms
Finished left-hand gate 3-26 (Small)
Finished left-hand gate 3-26 (Small)
Cattails 3-26 (Small)
Cattails 3-26 (Small)
Finished right-hand gate 3-26 (Small)
Finished right-hand gate 3-26 (Small)
Fleur-de-lis panel 3-26 (Small)
Fleur-de-lis panel 3-26 (Small)
Hagley crew helping 3-26 (Small)
Hagley crew helping 3-26 (Small)
Lily detail 3-26 (Small)
Lily detail 3-26 (Small)
Portrait of the artist 3-26 (Small)
Portrait of the artist 3-26 (Small)
Roses closeup 3-26 (Small)
Roses closeup 3-26 (Small)
Yarnbombed gates 3-26 (Small)
Yarnbombed gates 3-26 (Small)

On Day 4 some Hagley folks helped me out with two 8-foot ladders and some extra pairs of hands to get the fleur-de-lis panels in place on the large stone pillars. Nobody fell into the Brandywine, so the effort was a success!

This Monday I returned to Hagley to thank the handwork volunteers, to donate some books and lots of yarn, and to have our pictures taken at the finished gates. Hagley put up a really official-looking sign! The yarnbomb was written up in Chadds Ford Live here in a piece by Kathleen Brady Shea, and in the Wilmington News Journal here in a feature by Betsy Price. Both of them mentioned the exhibit "Unraveling Stories" that was the inspiration for the yarn art. It's wonderful to have this publicity--I hope it sends lots of people to Hagley!

Come on in
Come on in
Hagley Volunteers
Hagley Volunteers
Signage
Signage

With that behind me, I turned my attention to finishing four projects (of ten) for a Leisure Arts book. The items needed to be sent to Arkansas for photography by April 1. Check! With the yarnbomb finished and the Leisure Arts things in the mail, it was a good opportunity for some spring cleaning and tidying-up. Now I can focus on the remaining six projects that are due May 1.

I'm working with Stackpole Books to figure out whether to attend TNNA in Ohio at the end of May. Might be the perfect opportunity to do a book-signing of Tunisian Crochet for Baby, which came out in January. I'd love to attend the designers' dinner that Marly Bird is arranging, too.  I have two books for Stackpole in the works, and two for Leisure Arts.

My next task is to propose another large-scale installation to a local cultural institution. I'll let you know how it goes!